The jury's reasoning: With the release "Heim for å døy", Stein Torleif Bjella has solidified his position as a prominent songwriter. With his clear expression and bittersweet lyric universe, he has largely created his own genre. Bjella's simple and minor-keyed melodies carry the lyrics forward. The soundscape of seasick, gliding string instruments emphasizes what he himself calls […]
/ 27/10/2014 / codex
With the release "Heim for å døy", Stein Torleif Bjella has solidified his position as a prominent songwriter. With his clear expression and bittersweet text universe, he has largely created his own genre. Bjella's simple and minor-keyed melodies carry the lyrics forward. The soundscape of seasick, gliding string instruments emphasizes what he himself calls "sailing on the sea of love".
It's about monotony, slaving away at one's own thing, about ruined plans and unused lives. With this album, Bjella describes an entire rural community, and he does so in a close and believable way. We recognize the characters; a neighbor, a bachelor or a junkyard man. We can still, with a little goodwill, detect an extremely cautious optimism in the songs, especially when "another feathered girl" appears.
Bjella is more than a lyricist and songwriter. He is a poet. If the goal of art is to say something important about being human today, Stein Torleif Bjella is someone who manages to do just that. For this effort, he receives the Edvard Prize 2014.